Prism
Filters & looks
Style, light and colour, with the structure of the photo left exactly where it was. Golden Hour, Midnight, Spotlight, 35mm film, cinematic grades — applied to the real geometry of your image, not a lookalike of it.
Coming to the App Store
Four engines.
Four engines.
One photo editor.
Change the light without changing the photo. Rewrite what's actually in the frame. Create an image from a sentence. Imagik picks the right engine for what you asked for, and every edit lands as a layer you can turn off.
iPhone · Requires iOS 26 · Sign in with Apple
The engines
Different jobs want different machinery.
Most editors hand you one model and hope. Imagik runs four, each tuned for one kind of work, and routes your request to the one that will do it best. You see which engine ran, and what it cost, every time.
Forge
Altering the photo
Structural change. Take the power lines out of the sky, put the subject somewhere else entirely, adjust a face or a hairstyle, clear the background. Three quality tiers, so you only pay for the detail you actually need.
Spark
Creating images
A second creation engine, sitting beside Forge in Create. Run either one, or run both on the same prompt and compare the two results side by side before you keep one.
Quill
The prompt writer
The engine behind Enhance and Shuffle. Give it a rough idea and it writes the prompt the image engines actually want — and it reads your reference photos to describe what makes them look the way they do.
The layer stack
Every edit is a layer.
Toggling one is free.
Edits don't pile up into a chain you can't unpick. Each one stays a separate layer in a fixed, canonical order — so you can switch the film grade off, keep the retouch, and see the result without spending a single credit re-running anything.
Nothing is destructive
Your original never changes. Every layer composes over it, and every layer can come back off.
Order is decided for you
Layers compose in a canonical order, so a look applied before a structural edit lands the same as one applied after.
Re-runs are honest
You're only charged when an engine actually runs. Turning layers on and off is a local operation.
What you can do
A deep catalogue, not a row of sliders.
Seven picker chips organise hundreds of presets and controls. Reorder the ones you use. Save your own combinations. Mention a look by name and Imagik knows what you mean.
Popular
The marquee looks, in an order you set yourself. New light presets lead, film looks follow.
Restyle
Genre, medium and film stock. Push a photograph towards a whole visual language rather than a single adjustment.
Modify
Face, hair, body and background, with automatic masks found by on-device vision before anything is sent anywhere.
Setting
Move the subject into another world without moving the subject.
Recapture
Shoot the frame again. Relight it, regrade it, or re-take it on a different lens.
Create & References
Start from a prompt instead of a photo, and keep a library of reference images that Imagik reads and describes for you.
Privacy & security
Your photos are yours. The plumbing proves it.
Editing with a cloud engine means a photo leaves your phone. That's a real trade, so the parts you can't see are built to be checkable.
Hardware-attested requests
Every edit is signed by your device with Apple's App Attest, over the exact bytes of the request. A request that wasn't made by the real app on a real iPhone is refused.
Private storage, short windows
Inputs and results live in private storage. Download links expire in five minutes; results are recoverable for seven days, then gone.
Sign in with Apple
The only way in. No password to leak, no email list to sell, and Hide My Email works exactly as you'd expect.
Delete your account in the app
One tap removes your server-side data and your account itself. Not a support ticket — a button.
Hidden photos stay hidden
Face ID guards the images and references you choose to hide, on device.
On-device masking
Face, body and hair masks are found by Apple's Vision framework on your iPhone before an engine ever sees the frame.
Pricing
Credits, priced honestly.
One credit is one Prism look. A structural Forge edit costs more because it costs us more to run. Start with 12 free credits — no card, no trial that bills you later.
Free
To find out if you like it
$0
Once per Apple ID
- 12 credits to start
- Every engine and every preset
- No card required
Lite
An edit or two a week
$4.99
/month
Billed monthly
- 160 credits every month
- ≈ 20 retouches
- ≈ 160 filter looks
Plus
A regular editing habit
$12.99
/month
Billed monthly
- 400 credits every month
- ≈ 50 retouches
- ≈ 400 filter looks
Pro
Editing is part of the work
$24.99
/month
Billed monthly
- 800 credits every month
- ≈ 100 retouches
- ≈ 800 filter looks
What a credit buys
- Prism look — 1 credit
- Per image produced.
- Forge edit — 2, 8 or 30
- Fast, Balanced or Maximum. The tier sets the output detail, and the price moves with it.
- Reference image — +1
- Per reference, per output.
- Top-ups — $4.99 / $19.99
- 80 or 400 credits that never expire, spent only after your monthly allowance.
Monthly plan credits reset each month rather than rolling over. Annual is a cash discount, not extra credits — the same monthly allowance, for roughly ten months' money. Subscriptions renew through your Apple ID and can be cancelled any time in Settings.
12
Free credits to start
4
Engines
7
Catalogue chips
0
Credits to toggle a layer
Bring a photo.
Leave with the one you meant.
Imagik is coming to the App Store for iPhone. Questions in the meantime go straight to a person.